This audio is from the preshow. It was composed in 8 channel surround sound.

This production took place in the Forum theatre at Ohio University in 1999.

This was a production in the Forum Theatre at Ohio University in 1999.

This production took place in the Forum Theatre at Ohio University in 1999.

This was recorded on May 15th, 1999 in the Forum Theatre at Ohio University, located in Athens, Ohio.

This was a production in the Forum Theatre at Ohio University in 1999.

This is the end of Act I.

This is a live recording from May 15th, 1999. This audio is of the witches and Macbeth. The apparition appear. They were recorded individual tracks of audio and I mixed them in 8 channel surround sound, different pitches coming from different locations.

This tone was used multiple times for dramatic affect.

This was a production in the Forum Theatre at Ohio University in 1999.

I composed this electronic score for the curtain call. It was a good match for this abstract production of Macbeth.

This preshow was composed in 8 channel surround sound using an Akai sampler and Digital Performer. Each sound was sampled and played in the Forum Theatre. It was decided that the sound was to feel unproduced and acoustic in nature except for the tone that was used for the actors to start their own tones from.

This recording was used by the actors to get their pitch and reproduce the tone and harmonics.

This is from live production in Forum Theatre at Ohio University.

This pitch was used as a scene transition and also used for actors to find their pitch for overtoning.

This garden was composed in 8 channel surround sound with an Akai sampler and digital performer sequencing software.

This night garden was composed in 8 channel surround sound with an Akai sampler and Digital Performer.

This was in the production. It was composed by Nick Robinson.

This garden was composed in 8 channel surround sound with an Akai sampler and digital performer sequencing software. The plane circuled the thrust stage.

This theme was throughout the production. I incorporated into the design and mastered the track composed by Nick Robinson.

This was used throughout the production when Benedict entered the stage. I mastered this track composed by Nick Robinson.

This was used throughout the production to when Dogberry scenes were in transition. I mastered this track composed by Nick Robinson.

I mastered this track composed by Nick Robinson. I also did the sound design for how the track was produced in the Forum Theatre in 10 speaker surround sound.

This track was recorded in the Ohio University School of Theatre's studio. Both Jason and I spent considerable time optimizing these tracks.

This track was recorded in the Ohio University School of Theatre's studio. Both Jason and I spent considerable time optimizing these tracks. The final production was composed in 8 channel surround sound using a Akai sampler and Roland DX-50. They were both automated with Digital Performer.

This track was recorded in the Ohio University School of Theatre's studio. Both Jason and I spent considerable time optimizing these tracks. The final production was composed in 8 channel surround sound using a Akai sampler and Roland DX-50. They were both automated with Digital Performer.

This recording was composed by a graduate student at Ohio University. I will have to research and find out who. The film by Sharon Teo,"Fu", included an intricate ballet scene where this music was used multiple times thoughout the film. I also mastered other audio for this film, as well as, recording this one and I was also the sound designer and sound editor.

This was a project in graduate school. Casey had this assignment for voice class and I was to design around it. It was recorded and produced in ProTools.

This was a project in graduate school. This was recorded and mixed in ProTools. This was a voice over project for Casey and mine also for Sound Design class.

This was a voice project by Casey McClellan. I completed the sound design and mastered the track.

I edited this weekly National Radio show for a year and a half. I was living in Charlotte, NC at the time and freelancing at various studios. This was recorded and mixed at Jay Howard Audio on Fairlight MDX. I had a great relationship with the hosts Joe Wade Formicola, Kathy Martindale and Brian Hatfield. I later worked with Geof Knight and Paul Schadt when hosts were replaced. It was very good experience working in a studio environment with tight deadlines.